Lot n° 27
Estimation :
40000 - 45000
EUR
Result without fees
Result
: 40 000EUR
A pear-shaped parcel-gilt silver cup and cover - Lot 27
A pear-shaped parcel-gilt silver cup and cover
A pear-shaped parcel-gilt silver cup and cover
Augsburg, 1616-1620
Master silversmith: Jeremias II Flicker (active 1610 - 1647)
H. 23 cm; wt 205 g.
Hallmarks:
Augsburg Pyr: 1616-1620 (Seling 2007, no. 240)
IF: Jeremias II Flicker (Seling 2007, no. 1246 b).
Provenance :
Sotheby's Zurich, June 8, 1999, lot 293 ;
Dr Itsván Heller, his sale : Sotheby's London, Dr Heller's Lexicon, December 4, 2012, lot 44 ;
Galerie Neuse, Bremen;
Private collection, Paris.
Exhibition:
Europäische Goldschmiedearbeiten 1560-1860, Couven-Museum, Aachen, 2003, n°12.
Bibliography :
I. Heller, Europäische Goldschmiedearbeiten 1560-1860, exhibition catalog: Couven-Museum, Aachen, 2003, pp. 29-31, no. 12.
Comparative bibliography :
H. Seling, Die Augsburger Gold- und Silberschmiede 1529 - 1868, Munich, 2007.
K. Tebbe, U. Timann et al, Nürnberger Goldschmiedekunst 1541-1868, Nuremberg, 2007.
F. Payer Kunsthandel, Zürich, Neuerwerbungen, TEFAF Maastricht catalog, 2010.
P. d'Arschot & E. Basso, Orfèvrerie européenne, Brussels, 2020.
This covered bowl is naturalistically crafted to resemble a gilded silver pear. It rests on a silver stem engraved with veins and adorned with three leaves in gilded, engraved and cut silver. The base is formed by a large, three-lobed leaf, engraved and gilded. The lid is topped by a silver catch representing a bouquet of flowers.
Condition: good
German goldsmiths also produced bowls in the shape of pineapples, apples or bunches of grapes. These stem from a tradition of naturalistic goblets that emerged at the end of the Gothic period (circa 1480-1520). Engraved models of bowls in the shape of fruits, pears in particular, were produced for goldsmiths by artists such as Albrecht Dürer, Hans Brosamer and Virgil Solis, to name but a few.
Other pear-shaped bowls, or "birnpokal", quite similar to ours, are known, made by silversmiths such as Marx Merzenbach in Augsburg (cf. Victoria & Albert Museum, London, inv. 1908-1898; d'Arschot, Basso, pp. 32-33), or Reinhold Rülh in Nuremberg (cf. F. Payer; K. Tebbe, U. Timann et al, vol. II, p. 173, fig. 142).
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